Governing Board President Tim Nader’s recent statement that there is
little chance he would sign a union-favoring Project Labor Agreement
(PLA) for the first phase of Proposition R construction has pro-labor
activists crying foul. But pro-business advocates said they are also
feeling unsatisfied with the process.
With Phase I construction on the $389 million Prop R project planned
for early next year and no signed labor contracts in place, union
representatives and workers tried recently to convince Nader and the
rest of the board that there is still time to sign a PLA that would go
into effect immediately. Union members said the agreement would benefit
the college, community and construction workers of the district.
But none of that may matter. Governing board members insist that
construction management contracts already in place would make agreeing
to a new PLA difficult, at least for Phase I of the five-phase project.
Management contracts oversee money, while construction contracts
oversee the hiring of subcontractors and workers. Former Vice President
of Fiscal Services Nicholas Alioto signed management contracts with
Seville Construction Services for project management. The former
governing board approved. Echo Pacific Construction was hired by Alioto
to handle construction contracts, but the current board terminated Echo
Pacific’s contract this fall. Balfour Beatty has been approached by the
college about assuming Echo Pacific’s terminated contract and assuming
responsibility for construction and labor. No contract has been
approved.
Monday, December 12, 2011
Friday, November 11, 2011
Board Fires Corner Lot Construction Firm
One year ago this week, donning pressed suits and ill-fitting
construction hard hats, the previous Southwestern College Governing
Board broke ground to celebrate the start of construction on the $389
million Proposition R project on the infamous “corner lot.” A seven-acre
dirt and gravel field on Chula Vista’s busiest intersection, the lot
has remained empty for five decades. In the 12 months since then, the
only meaningful activity on the property was seasonal vendors selling
pumpkins in October and Christmas trees in December.
With the pumpkin patch up and running again this year, the current
governing board unknowing marked the anniversary of the groundbreaking
by firing Escondido-based Echo Pacific Construction, the firm contracted
to provide construction management for most of the Prop R project. Echo
Pacific, however, continued on as if it was business as usual.
SWC Director of Facilities John Brown confirmed the board action to fire Echo Pacific. The firm would continue to be part of the Proposition AA project, he said, but the board was already seeking its replacement for Prop R work.
“A recommendation was made at the October 12, 2011 governing board meeting by staff to open negotiations with the number two ranked firm, Balfour Beatty [formerly known as Barnhart Balfour Beatty],” Brown said.
 |
| Pumpkin Patch: the only work being done / Photo: Serina Duarte |
SWC Director of Facilities John Brown confirmed the board action to fire Echo Pacific. The firm would continue to be part of the Proposition AA project, he said, but the board was already seeking its replacement for Prop R work.
“A recommendation was made at the October 12, 2011 governing board meeting by staff to open negotiations with the number two ranked firm, Balfour Beatty [formerly known as Barnhart Balfour Beatty],” Brown said.
Friday, October 7, 2011
Builder Decries Lack of Oversight Members
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| David Adams / Photo: Furr |
In 2008, voters of the Southwestern Community College District overwhelmingly approved a $389 million construction and modernization bond meant to improve the college, including the “corner lot” project, a parcel of empty former farmland located at the corner of H Street and Otay Lakes Road in Chula Vista.
Following California law, the Prop R Citizens Oversight Committee was formed to monitor expenditures and provide representation, not to the college or construction companies, but to the voters of the district.
Three new members joined the committee this summer. Nicholas Segura, Thomas Davis and Matt Kriz filled one vacant seat and replaced members David Krogh and Rebecca Kelley. The board’s refusal to reappoint Kelley to her seat proved to be a controversial decision.
Tuesday, August 9, 2011
"Kizuna: Fiction for Japan" is Out!
It is with great pleasure that I announce that Kizuna: Fiction for Japan
is out! This charity anthology is unlike any other. Featuring a mix of
authors - the known and the unknown, created and developed to be
released and read online, but designed to also go into print, Kizuna: Fiction for Japan
is a labor of love of 76 different writers from 11 different countries -
all of whom are taking part in helping the victims of the earthquakes
and tsunami in Japan this spring.
I'm
not exaggerating when I say this was the brainchild of American-born,
Japan-based writer Brent Millis - who alone developed the idea of a
charity anthology and then started seeking the opinions of people he
knew online.
Brent and I have known each other on Twitter for a couple of years, and on Facebook for nearly as long. We've never met, but we have a clear respect for each other's work and ability. And following this, Brent has my highest level of respect as a man able to do what few others have ever even attempted.
Brent and I have known each other on Twitter for a couple of years, and on Facebook for nearly as long. We've never met, but we have a clear respect for each other's work and ability. And following this, Brent has my highest level of respect as a man able to do what few others have ever even attempted.
Friday, May 27, 2011
Chief Chartier is the Wrong Man to Lead Campus Police
Winds of change have buffeted Southwestern College and show no signs
of abating. With the governing board elections of 2010 tipping the power
balance to a pro-education stance, and the resignations of
Superintendent Dr. Raj K. Chopra and Nick Alioto, fiscal services vice
president, it is clear that no position is exempt from change and any
college leader might need to justify the job they do to those who matter
most: the public.
Given the inconsistent, secretive and often questionable actions the campus police have taken recently, one must ask whether campus Chief of Police Brent Chartier should continue.
In March, a campus police officer stopped a female adjunct instructor to cite her for driving while talking on a cell phone. He handcuffed and arrested her for allegedly resisting arrest. It is still not clear what crime she had committed to be handcuffed in the first place.
Rob Unger, the SCEA grievance chair who was involved in the early stages of the incident, said the woman’s story is that she was handcuffed and had her head slammed into the hood of her car. When the officer pinned her to the car he became sexually aggressive, she reported, pressing his crotch to her rear. She asked him to change positions and he pushed harder against her. She then yelled for him to stop.
“He may have taken that to be resistance,” Unger said.
Given the inconsistent, secretive and often questionable actions the campus police have taken recently, one must ask whether campus Chief of Police Brent Chartier should continue.
In March, a campus police officer stopped a female adjunct instructor to cite her for driving while talking on a cell phone. He handcuffed and arrested her for allegedly resisting arrest. It is still not clear what crime she had committed to be handcuffed in the first place.
Rob Unger, the SCEA grievance chair who was involved in the early stages of the incident, said the woman’s story is that she was handcuffed and had her head slammed into the hood of her car. When the officer pinned her to the car he became sexually aggressive, she reported, pressing his crotch to her rear. She asked him to change positions and he pushed harder against her. She then yelled for him to stop.
“He may have taken that to be resistance,” Unger said.
Delays, Controversy Again Stagger Corner Lot Project
For 50 years, the 2.6 acre patch at the northeast of Southwestern
College has laid fallow, a vestige from the lima bean and horse ranch it
once was. For the past decade it has become a killing field for SWC
administrators and board members who get too wrapped in the often murky
worlds of construction, politics and money.
And still the land sits empty as a new set of players settles in to try to make sense of the stalled project that led to so much upheaval at SWC last year.
Pasadena-based Seville Construction Services, chosen by a previous SWC administration and board to manage an ambitious new incarnation of the highly-visible “corner lot,” has pushed back the start date several times. Seville has become entangled in governing board politics, SWC contract troubles, love affairs, investigations, and was caught playing a personnel shell game as detailed in a Los Angeles Times investigative series.
In October 2009, Seville was awarded a $2.7 million contract – or 2.7 percent of the initial $100 million Phase I project costs – to provide program management and as-needed construction management services for the college’s Proposition R construction, projects funded by a voter-approved $389 million construction and modernization bond in 2008. Projected to be spread out over 23 years and five phases, the Prop. R work would be largest college building project in about 35 years. Of the $100 million slated for Phase I, the corner lot project was budgeted at $74 million.
And still the land sits empty as a new set of players settles in to try to make sense of the stalled project that led to so much upheaval at SWC last year.
Pasadena-based Seville Construction Services, chosen by a previous SWC administration and board to manage an ambitious new incarnation of the highly-visible “corner lot,” has pushed back the start date several times. Seville has become entangled in governing board politics, SWC contract troubles, love affairs, investigations, and was caught playing a personnel shell game as detailed in a Los Angeles Times investigative series.
In October 2009, Seville was awarded a $2.7 million contract – or 2.7 percent of the initial $100 million Phase I project costs – to provide program management and as-needed construction management services for the college’s Proposition R construction, projects funded by a voter-approved $389 million construction and modernization bond in 2008. Projected to be spread out over 23 years and five phases, the Prop. R work would be largest college building project in about 35 years. Of the $100 million slated for Phase I, the corner lot project was budgeted at $74 million.
Thursday, April 14, 2011
Board Orders New Audit on Contracts, SWC Foundation
Originally published on 4/14/11...
This link is broken.
This link is broken.
Tuesday, March 22, 2011
Former VP Hid, Dumped Millions
Originally published in the Southwestern College Sun on 3/22/11...
This link is broken.
This link is broken.
Monday, February 21, 2011
New Superintendent Shakes Up Tech Study Group
Originally published in the Southwestern College Sun on 2/22/11...
This link is broken.
This link is broken.
Wednesday, June 1, 2005
Rammer Jammer Yellowhammer (Book Review)
Mississippians love their books. They have to, what with being
the state known for Faulkner, Welty, Tennessee Williams, John Grisham,
and others. Planet readers were astonishingly literate and one of our
constants was our book section. We did small book reviews and had lists
of regular book signings, and every now and then I'd do a book review
(we had an editor and several freelancers who loved to do them). This
was just one of my favorites.
I’m sitting on the couch, watching Olympic event after Olympic event and nearly drooling at the opportunity to watch my Chiefs smack around the Rams on preseason Monday Night Football (by the time this sees print, I’ll find out if I was right). I’ve made no secret of my love of sports, or of the fact that Kansas City football and baseball are imprinted on my soul. I’m also a New England Patriots fan – many moons in Maine caused me to adopt them, but they are a distant second compared to my beloved Arrowhead Stadium roughnecks. I’m a half-assed Ole Miss fan, simply because I went to a cow college in a neighboring state, one in which the football team found mediocrity something to strive for. I once screamed so loud and so long – at a high school football game – that I broke my voice.
Put simply, I’m a sports fan.
I’m sitting on the couch, watching Olympic event after Olympic event and nearly drooling at the opportunity to watch my Chiefs smack around the Rams on preseason Monday Night Football (by the time this sees print, I’ll find out if I was right). I’ve made no secret of my love of sports, or of the fact that Kansas City football and baseball are imprinted on my soul. I’m also a New England Patriots fan – many moons in Maine caused me to adopt them, but they are a distant second compared to my beloved Arrowhead Stadium roughnecks. I’m a half-assed Ole Miss fan, simply because I went to a cow college in a neighboring state, one in which the football team found mediocrity something to strive for. I once screamed so loud and so long – at a high school football game – that I broke my voice.
Put simply, I’m a sports fan.
Sunday, May 15, 2005
Rebekah Potter Interview (Multi-Media Artist)
This was unquestionably my most informal interview - and it seemed
perfect for the subject. We met in her kitchen while she made pizza
dough, and I questioned her with off-hand comments. I considered it an
interview version of her work - "not a rectangle." Sometime later, she gave me a 5' x 4' piece of art that I had admired in
her studio. It's vaguely rectangular, has no real corners, is folded in
places, stitched, battered, taped (and all this the way she made it),
and goes everywhere with me. Like all great art, wherever I hang it,
it's perfect.
Rebekah Potter does not believe in rectangles. Instead, she prefers to let the borders of her art become part of the art itself. Using scrap wood – complete with gashes, tears, and protrusions – she creates pieces that purposefully reach beyond the boundaries our minds impose. Many of her paper and cardboard collage pieces have no shape, reaching out and folding back in on themselves, helping turn the medium into the message. She sews stitches into many of her pieces, adding texture and drawing your eyes to places they would not necessarily go. And yes, she does have some rectangular pieces, but only because it suits her to do so.
Potter has been called an intrepid wanderer, living alone around the world, yet always touching base in Jackson, where she lived for six years. Perhaps because of her infrequent visits home, she has remained near the edges of Jackson’s vibrant art scene, yet she has many devotees and numerous individuals collect her work. She often reaches inside herself to find her subject matter, which vividly reflects her state of mind at the time.
Rebekah Potter does not believe in rectangles. Instead, she prefers to let the borders of her art become part of the art itself. Using scrap wood – complete with gashes, tears, and protrusions – she creates pieces that purposefully reach beyond the boundaries our minds impose. Many of her paper and cardboard collage pieces have no shape, reaching out and folding back in on themselves, helping turn the medium into the message. She sews stitches into many of her pieces, adding texture and drawing your eyes to places they would not necessarily go. And yes, she does have some rectangular pieces, but only because it suits her to do so.
Potter has been called an intrepid wanderer, living alone around the world, yet always touching base in Jackson, where she lived for six years. Perhaps because of her infrequent visits home, she has remained near the edges of Jackson’s vibrant art scene, yet she has many devotees and numerous individuals collect her work. She often reaches inside herself to find her subject matter, which vividly reflects her state of mind at the time.
Tuesday, March 15, 2005
The American Astronaut (Movie Cover Story)
This is one of the strangest indie movies ever made - and one of
my favorites. I was sent a copy to watch before calling and speaking
to the filmmaker. It was one of my favorite pieces. He was astonished
at how warmly Jackson reacted to his very bizarre movie.
“I wanted to create a movie that people would like more and more every time they watched it,” says Cory McAbee, about The American Astronaut, the full-length movie he wrote and directed.
Six years from script to screen, released and distributed by McAbee and the film’s producers, Bobby Lurie and Joshua Taylor, The American Astronaut is a combination low budget science fiction movie, punk musical, snarky comedy, and a literate commentary on mankind’s base desires. Filmed on lush 35 mm black-and-white film, it looks like a blend of old “Flash Gordon” serials, Joss Whedon’s Firefly, Terry Gilliam’s Brazil, and an indie graphic novel. In The American Astronaut, the look and feel of the film itself is more important than the look of the effects, an almost incomprehensible notion for a film that is, basically, science fiction.
“I wanted to create a movie that people would like more and more every time they watched it,” says Cory McAbee, about The American Astronaut, the full-length movie he wrote and directed.
Six years from script to screen, released and distributed by McAbee and the film’s producers, Bobby Lurie and Joshua Taylor, The American Astronaut is a combination low budget science fiction movie, punk musical, snarky comedy, and a literate commentary on mankind’s base desires. Filmed on lush 35 mm black-and-white film, it looks like a blend of old “Flash Gordon” serials, Joss Whedon’s Firefly, Terry Gilliam’s Brazil, and an indie graphic novel. In The American Astronaut, the look and feel of the film itself is more important than the look of the effects, an almost incomprehensible notion for a film that is, basically, science fiction.
Tuesday, March 1, 2005
Metal Finishing Services -- Metro Business Chronicle
I did some work for a business paper run by a pretty well-known
Libertarian, Jack Criss. Though politically we didn't agree, I liked
the way he had writers shine a light on the various businesses and
businessmen of central Mississippi. I found that it's easy to write
about anyone who is passionate about what they do. Everyone I
interviewed for MBC was passionate about their work. I picked this
piece, because the field in which he works seems dull to those of us who
don't understand it, but so necessary and worthy for those who do.
David Church isn’t afraid to spread himself a little bit thin. Unlike some businessmen whose ‘eyes on the prize’ philosophy forces them to focus on one particular role in business – one hat to wear – and whose single-minded determination causes harm to their home life and health, Church is perfectly comfortable wearing those different hats. Husband, father, antique car hobbyist, and avid bicyclist who laments the lack of places to ride a bicycle inside the city of Jackson – he is all of these things. He is also president of Metal Finishing Services, office principal for Criterium Engineers, president of 750 Boling Street Partners, an officer of the Hawkins Field Industrial Park, and a working electrical engineer. Given his choice on what he would rather do, he responds:
“I prefer to be working on my own cars or riding my bicycle. Those are my vices.” In fact, it was one of his interests that led him to opening the doors to Metal Finishing Services.
David Church isn’t afraid to spread himself a little bit thin. Unlike some businessmen whose ‘eyes on the prize’ philosophy forces them to focus on one particular role in business – one hat to wear – and whose single-minded determination causes harm to their home life and health, Church is perfectly comfortable wearing those different hats. Husband, father, antique car hobbyist, and avid bicyclist who laments the lack of places to ride a bicycle inside the city of Jackson – he is all of these things. He is also president of Metal Finishing Services, office principal for Criterium Engineers, president of 750 Boling Street Partners, an officer of the Hawkins Field Industrial Park, and a working electrical engineer. Given his choice on what he would rather do, he responds:
“I prefer to be working on my own cars or riding my bicycle. Those are my vices.” In fact, it was one of his interests that led him to opening the doors to Metal Finishing Services.
Tuesday, February 15, 2005
New Life for Women (Feature Cover Story)
I won't say much about this one, except that New Life for Women
is one of the worthiest causes I've ever seen. It was brought to my
attention by my friend and neighbor, Debbie Parks, who introduced me to
the people who run it. Debbie graduated from New Life several years
ago, but not before the damage was done. She had cirrhosis, which
turned to cancer, which killed her a few years ago. But she was clean and
sober from the time she left New Life until the end. They're not just
good people; they're the best.
Planet Weekly originally published this with all the women's real names, but enough time has passed, and I think it likely that some of them may not want their names bandied about on the Interwebs. As such, I've changed their names - out of respect for who they are, and where they may be at this time in their lives.
New Life for Women was founded in 1988 as a secondary treatment program for homeless, chemically dependent women. According to co-founder and current executive director Melanie Parks, women who complete primary treatment for chemical dependency – which consists of detoxification and about 30-45 days of treatment in places like Harbor House – typically return to their same places, people, and situations that caused the dependency, and are successful in maintaining long-term sobriety only about one time out of ten. Secondary treatment helps the women maintain sobriety at a much greater rate. Parks estimates that after 90 days’ treatment at her facility, or one like it, their chances rise to six out of ten, but she does admit:
“I don’t think there’s been any empirical data put together about that, but it would be interesting to know what the numbers are with the support systems established through an agency like this one.”
Planet Weekly originally published this with all the women's real names, but enough time has passed, and I think it likely that some of them may not want their names bandied about on the Interwebs. As such, I've changed their names - out of respect for who they are, and where they may be at this time in their lives.
New Life for Women was founded in 1988 as a secondary treatment program for homeless, chemically dependent women. According to co-founder and current executive director Melanie Parks, women who complete primary treatment for chemical dependency – which consists of detoxification and about 30-45 days of treatment in places like Harbor House – typically return to their same places, people, and situations that caused the dependency, and are successful in maintaining long-term sobriety only about one time out of ten. Secondary treatment helps the women maintain sobriety at a much greater rate. Parks estimates that after 90 days’ treatment at her facility, or one like it, their chances rise to six out of ten, but she does admit:
“I don’t think there’s been any empirical data put together about that, but it would be interesting to know what the numbers are with the support systems established through an agency like this one.”
Tuesday, February 1, 2005
"Geek Flag Ideologies" (Column)
This one turned out to be one of my most popular columns online -
and nobody made fun. It turns out that lots of our readers were geeks.
Big surprise. It turns out that lots of people nowadays are
geeks. And why not? Geeks really do make the world go 'round. We
actually had a love-fest online for about three weeks as people shared
the stories and admitted which Doctor they loved best. It died out
eventually, as all good threads do, but this throwaway column became one
of my favorites because I found out how many of these tough,
mean-spirited Jacksonians proudly flew their geek flags.
Keep in mind that this was written before the tremendous Matt Smith/David Tennant/Christopher Eccleston "Doctor Who" revival, before J.J. Abrams' "Star Trek" reboot, and before George Lucas sold the "Star Wars" franchise to Disney -- with promises of new movies to come.
I might as well get this on record first: I’m a bit of a geek. I read science fiction and fantasy. I have a full run of Babylon 5 on tape. I swap Dr. Who references with a few fellow (possibly mentally ill) fans. I have pretty much every Batman and Justice League collection DC Comics has printed in the past ten years or so. I played Dungeons and Dragons for years (actually, I played 2nd Edition AD&D, mostly in the “Forgotten Realms” setting, for those fellow geeks in the know), and I enjoy dabbling in both the Star Wars and the Star Trek aspects of fandom.
I love the brilliance of Robert A. Heinlein and Arthur C. Clarke, yet I can still put up with the overly purple prose of Roddenberry’s Trek, the derivative technobabble of Next Generation, and the insipid dialog of Lucas’ Star Wars.
Around the survivors a perimeter create, indeed.
Keep in mind that this was written before the tremendous Matt Smith/David Tennant/Christopher Eccleston "Doctor Who" revival, before J.J. Abrams' "Star Trek" reboot, and before George Lucas sold the "Star Wars" franchise to Disney -- with promises of new movies to come.
I might as well get this on record first: I’m a bit of a geek. I read science fiction and fantasy. I have a full run of Babylon 5 on tape. I swap Dr. Who references with a few fellow (possibly mentally ill) fans. I have pretty much every Batman and Justice League collection DC Comics has printed in the past ten years or so. I played Dungeons and Dragons for years (actually, I played 2nd Edition AD&D, mostly in the “Forgotten Realms” setting, for those fellow geeks in the know), and I enjoy dabbling in both the Star Wars and the Star Trek aspects of fandom.
I love the brilliance of Robert A. Heinlein and Arthur C. Clarke, yet I can still put up with the overly purple prose of Roddenberry’s Trek, the derivative technobabble of Next Generation, and the insipid dialog of Lucas’ Star Wars.
Around the survivors a perimeter create, indeed.
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