Sunday, August 1, 2004

New Vibrations (Business Feature)

This one's here because, for no reason whatsoever, this is one of my favorite short pieces - and Karen Parker is one of my favorite Jacksonians. If you're ever there, go see her.

New Vibrations owner Karen Parker describes the idea behind her store:

“We call this a store of spiritual and cultural diversity. I wanted to bring things from around the world to Jackson. I wanted to bring things of a spiritual nature to Jackson. It was really important to me to bring the tools and things that people use in different religions.”

New Vibrations opened two months ago on State Street in Fondren. Its bright purple exterior and its location between the Fondren Corner building and Treehouse have brought considerable traffic to the business. Some came following positive word of mouth, some came during Arts, Eats, and Beats, and some simply found it.

“People are beginning to search these days, stepping away from their basic religions, and beginning to open themselves up,” Parker said. “The world is a smaller place than it ever was before. I’ve always felt that we all call God different names, and he or she had different faces in different religions, but that we all pray to the same God and that it’s really important for us to see ourselves talking to – and about – one God and one Creator.”

Tuesday, June 1, 2004

International Museum of Muslim Cultures (Cultural Cover Story)

This is the kind of piece that made me love Mississippi. When we printed this, the only (and I mean only) complaints we got were from two people from Alabama. One was a guy who logged on and fussed, sight unseen, about them "damn terrorists." The second was an Alabama girl who knew 'me' from some boards on IMDb and followed me on Planet's site. She couldn't believe we'd waste space on the Muslims and blasted on the site. I cut ties with her, but we left her comments up. That was the only bad feedback we got. Most of what we got was, "I've been there. It's pretty cool." It is. I'm not Muslim, and neither is about 98% of the people who go, but it's refreshing to see a place that takes the time to educate you about a people you should know more about - and about how positively they've affected the direction of the world.

Jackson has its fair share of good museums. The Old Capitol Museum is one. The Mississippi Museum of Art and the Smith Robertson Cultural Center are both well known far beyond the borders of our state. One of the most important ones sits less than a block from the Museum of Art and is, quite literally, unique in this country. There is no other like it.

That museum is the International Museum of Muslim Cultures (IMMC). The museum opened its doors in April 2001 with the exhibit, Islamic Moorish Spain: Its Legacy to Europe and the West. Developed by Okolo Rashid, the current executive director of the museum, and by Emad Al-Turk, the board chairman of the museum, the exhibit was conceived as a companion piece to the Majesty of Spain exhibit when the organizers, Mississippi Commission for International Cultural Exchange, Inc., decided not to include any pieces that reflected the nearly eight hundred years of Moorish influence in the exhibit. Islamic Moorish Spain received considerable local press in its first few weeks. The Museum of the Southern Jewish Experience and the Catholic Diocese of Jackson both gave their blessings to it.

"Civil Unions" (Column)

This was one of my serious columns, regarding a situation about which I feel very strongly. Living here in Calfornia now makes me glad I wrote this all those years ago.

For the first time, the issue of gay marriages – or civil unions – has been brought up for serious discussion. With the Commonwealth of Massachusetts deciding that they are legal, there is finally real, tangible discussion about this issue. Yes, the State of Vermont allowed civil unions several years ago, but Vermont is a small state with little influence on others. When Massachusetts took this big step, it became major news.

The conservatives’ views on this issue are already well known. In a nutshell, they believe that allowing gay marriages leads to the end of civilization, as we know it. This is not a surprise. A bit more surprising is the mixed reactions occurring in the various liberal camps. Even my man Wesley Clark splits this particular hair, supporting “civil unions,” but not going so far as to call them “marriages.”

Personally, I don’t see the problem. I totally support the idea of gay marriages. And I don’t feel a need to qualify the statement. I don’t think they should be called “civil unions.” I think that if a marriage is recognized in one state, it should be recognized in every state. I think a gay married couple should be allowed every right that a straight married couple receives. Call me crazy, plenty have, but I simply don’t believe that allowing gay men and women to marry will cause the downfall of the American Way.

Saturday, May 1, 2004

David Banner Interview (Rapper/Producer/Actor)

This interview was arguably the one I was best known for - and one of Planet Weekly's most memorable. Banner's record company linked their websites to our website, resulting in hundreds of comments from people who had no idea who we were. This being Mississippi, we also had a few disgruntled caucasians who lambasted us (me) for wasting paper & pixels on a 'guy who just makes stupid noises over thumps and calls it music.' The fact is, David Banner is one of the most intelligent people I've ever met, in any capacity, and one of the best interviews ever. He says what he means and he says it well. He couches it in language that his audience will listen, though, and anyone who doesn't get that is the one with the intelligence issue. I also found him to be direct, generous, and talented.

David Banner is not the average rapper. He is a producer who has worked with Snoop Dogg, Nelly, Trick Daddy, Busta Rhymes, and Nappy Roots. He is a local boy who began his career with Crooked Lettaz, one of the casualties of Tommy Boy Records.

He takes his name from the Hulk’s alter ego, the man who said, “You wouldn’t like me when I’m angry.”

He is a smart man, an educated non-intellectual who was the president of the Student Government Association at Southern University.

Thursday, April 15, 2004

"Crossroads Film Festival Post-Game Report" (Column)

This was the first column I ever wrote where I threw the rules away. It's about 95% true. I just don't remember what's untrue now.

I’m a dedicated film nut, so I spent most of last weekend at the Crossroads Film Festival. I had planned to write a coherent account of it, but since the first three nights ended at Hal and Mal’s, I’ve discovered that most notes I have are illegible. I’ve decided to write down what I remember. If you were there, some of this will seem familiar. If you weren’t, maybe you’ll want to give it a go next year.

Thursday night, Parkway theater. Saw “Leo.” Had the guy from “Shakespeare in Love” in it, with Elisabeth Shue, the one from the babysitting in Las Vegas movie. Not so good. Too long. “Up, Up, and Away,” a short film, two minutes long. Much better. Not too long.

Went to Hal and Mal’s for a pale ale. Had more than that. Had political discussion with folks from another free newspaper. Fell in love with a bartender.

Thursday, April 1, 2004

"Bumper Sticker Politics or the Band That Scared Your Mom Has Sold Out" (Column)

This one is dated, too, but because of the ads I mention. I'll also mention that at least one blogger out there plagiarized my column, lifting my lines about Iggy Pop word for word. It was pointed out to Planet Weekly by half a dozen different readers, who found two sites that had done it. One had written-and-displayed two weeks after me, and the other was done five weeks later. We don't know if the second guy plagiarized me or the other guy, which is why I said there was "at least" one blogger who ripped me off. I don't care. It's nice to have written something good enough to have been stolen.

There is a certain segment of the population whose – how shall we say it? – stupidity prevents them from being able to separate who a person is from what they do, and who a person is from what they believe. They’re unable to see someone as a whole, instead defining them by a particular belief, or by something they do. What could be a good neighbor is instead dismissed as a “dirty liberal.” What could be a good friend is shouldered aside because he supports capital punishment.

(I am put in mind of a particular mouthbreather who visited our Web site and insisted that he would refuse roadside assistance from anyone with a Kerry/Edwards sticker on his or her car, which made me wonder what he does to everyone in the service industry. “Hey, you in the Che shirt! I’ll pump my own gas, punk!” “Excuse me, miss, before you bring the menu, do you believe in a faith-based nation or should I change tables?”)

Monday, March 1, 2004

2004 Juried Student Exhibition Competition (Arts Feature)

This small piece is one of the most formative of my career so far - if not for anyone else, than for me. My friend and colleague at Planet, Talamieka McNeil, gave us the heads-up on this arts competition at JSU, where she attended school. As a fan of the arts, I decided to cover it with her. However, as someone who had been to all the other student museums in the area, I was ready to be disappointed. (Sorry if this upsets people from the other schools, but it's true.) I was blown away by the quality of art from Jackson State, and I believed then what I believe now: the best arts program in that part of Mississippi is there. I was also blessed to meet Lorenzo Gayden, a young man whose talent comes as an embarrassment of riches. I've given him press several times - and he's deserved it each time.

Many art aficionados appreciate a chance to see art from young, raw talents. A good place to do that now is at Jackson State University. The 2004 JSU Juried Student Exhibition Competition is over, the winners have been selected, and their works are on display on the campus. The competition gives the students a chance to have their work appreciated by the judges, the university administration, other students, and by the public.

Sponsoring the competition are JSU’s own Clay Club and James Allen Antiques of Atlanta. Allen is the owner of the controversial “Without Sanctuary” exhibit of lynching photos, currently on display at the university.

Several different awards are given, including Best 2-D Work, Best 3-D Work, and Merit Awards. In addition, members of the administration give five Purchase Awards to the students.

"Adrift on the Sea of Consciousness" (Column)

Wow. Janet Jackson, Arsenio Hall, and "Yes, Dear" all name-checked in the same column. Sometimes folks, the pop culture references kill the first time out - and then kill you in the long run.

Welcome to the stress-addled mind of the Bipolar Extremist. I’m feeling like going down the stream of consciousness without a paddle…

Let me get this straight. CBS has apologized for the now-infamous “Boobgate” incident at the Super Bowl. They’ve apologized for the delays they are now using for their “live” broadcasts. And now they’ve apologized for Atlanta-based Outkast’s Grammy performance, which had the band members in Lone Ranger-era faux Indian garb. I’m suddenly reminded of Monty Python’s legendary apologies for the apologies.

CBS, so long as you’re offering up apologies for all slights, real or perceived, I have a few requests.

Where the hell is our apology for Yes, Dear? You owe the world a big freaking “my bad” for that piece of crap. And since that segues nicely into Arsenio Hall, you better start doing “mea culpas” for Star Search, too.

It’s not that I want to bash on CBS even more than I bash on Planet’s competitor, but the Tiffany Network makes it so damn easy.

Yeah, I’m angry this time. My man Clark bailed out of the race before Al Sharpton and Dennis Kucinich. It both annoys and disappoints me that the General left the race before the Righteous Rev and Ernie Keebler bailed out. Well, at least he won one state before he left, which is one more than Howard Dean has managed to accomplish, at least by press time.

By firing his campaign chairman for speaking out, Dean showed that he is again willing to cut off his own nose to spite his face. Knowing of his manic behavior, I’m surprised he didn’t use a chainsaw to do it.

John Kerry. What can I say about him that his opponents haven’t already said? If he’s been knocking boots with an intern, it only goes to show that he’s trying to learn from a better man. But, to give him his props, he picked a more cuddly intern to corrupt. If it’s true, do you suppose he’ll apologize, or will he instead attack the Dean campaign through a series of mudslinging commercials?

And have you seen the new Planet Weekly commercial? You soon will. Watch for it on WJTV. It’s made by local director Philip Scarborough and graphics genius Matt Beall. No mud is slung.
A question for the baseball fans out there. Does anyone think that CNN is spending far too much time harping on the Alex Rodriguez trade to the New York Yankees? Does anyone not in a 212 area code actually care? And if so, why? The Yankees have become nothing more than a sad commentary on baseball, proving that it is all about the bottom line. With a payroll three to four times the size of most other clubs, they prove that they really do have the finest team that money can buy.

And why should CNN care? Come on, this is an easy one. CNN…Ted Turner…Atlanta Braves…the club that actually claims to be America’s Team. They’re the National League version of the Yankees, without the annoying burden of talent.

Of course, if there was any Atlanta-based group that should apologize for being insulting to American Indians…it’s not Outkast. Maybe we can get TBS to do it.

Hey Ya! Yankees fans, let me know why your team rules. Braves fans, let me know why the Yankees suck. Red Sox fans, let me know why your guys suck. Send comments to: ed@planetweekly or log on at planetweekly and let’s all hope nobody’s cyber-squatting in our living room.

Cowboy Mouth -- Yall Magazine

This was my most contentious piece ever. The editor of Yall loved the idea. The band loved it (and the publicist loved it, of course). My photographer colleague, Tom Beck and I met them in New Orleans, I wrote it, and we submitted our work. The photo editor kept asking Tom for different shots - the editor had no idea what he wanted, and he apparently was still in college. The editor I was dealing with had left and the publisher was running things. He decided that he wanted a Southern People and bumped this story without notice for one issue. No big deal, except that, in doing so, the band released a live album in the interim and their publicist wanted that in there now. Further troubling things was that the publisher changed his deadline for work three times, finally calling me and saying he needed a rewrite and could I do it in 10 days? I told him I could. He called me 2 days later and asked where it was. I told him I still had 8 days. He said he meant 2 days, but said 10. I sent him a rewrite, which someone reedited, and they published it. This is the version I originally submitted.

November 28th, the night after Thanksgiving. A crowd approaching one thousand men and women have come in out of the cold and filled Howlin’ Wolf, a music club in the warehouse district of New Orleans. The patrons, who have been warmed up by local punk-pop band, Gang of Creeps, and by a three-song reunion gig by The Red Rockers, generate happy, anxious excitement. They crowd the stage, awaiting Cowboy Mouth, one of the South’s favorite bands.
When the band takes the stage, an eruption of cheers that would be more at home in a stadium greets them. With little ceremony, they launch into “Light it on Fire,” a barnburner guaranteed to create a roar. It does. By the time they tear into their second number, “Disconnected,” the crowd is moving as one organic unit, almost desperate to absorb the band’s energy and return it to them tenfold. In return, Cowboy Mouth does their level best to blow the audience out the front door.

Standing front and center, Fred LeBlanc, the Mouth’s lead singer and drummer, pounds the skins and exhorts the fans to cheer, to jump, to take part in the show. The front man and chief cheerleader, he builds energy both on and off the stage with his ferocious drum work, his vocals, and his interaction with the crowd. He brings them into the show, refusing to let them be passive witnesses to the performance. There are no passive witnesses.

Sunday, February 15, 2004

Darrah Johnson Interview ("Survivor" Contestant)

Darrah was Mississippi's first entry into the world of Survivor - and was fondly remembered as 'the girl that took the shower.' She was very pretty, genuinely very sweet, and - trust me - a lot smarter than you thought she was. When I did this short interview, she was already becoming a canny interviewee.

This year’s Grand Marshal of Mal’s St. Patrick’s Day Parade is Darrah Johnson, the first and so far only Mississippi contestant on “Survivor,” the current reigning champion of the reality TV sweepstakes.

On the show, Johnson played her game quietly, allowing others to take the spotlight – and promptly be shot down – time and again. She kept somewhat to herself, allowing others to come to her and propose alliances and deals. In her Delta-infused accent, she made nice with almost everyone else, at least until it was time not to.

Late in the game, she rose to the occasion, winning three immunity challenges in a row and taking control of the game while simultaneously scaring the hell out of her opponents. She made the final four, lost the next challenge, and was immediately voted out by the others.

Sunday, February 1, 2004

"Head vs. Heart" (Column)

This one is serious, and I won't make any comment, except to say that it cost us readers and advertisers. About a month after it ran, we actually gained half a dozen advertisers who wanted to come aboard, but were afraid to do so after I had written this. In the end, we took a bit of a loss, but not too much.

On Tuesday, U.S. District Judge Phyllis Hamilton ruled the Partial-Birth Abortion Ban Act was unconstitutional, declaring that the act interfered with a woman’s right to choose. The decision was made in San Francisco, well known for its political leftness. It can be seen as the first blow to the Act, another stride toward a place where conservative, male-dominated minds can no longer tell a woman what she can and cannot do with her own body. I suppose this is true.

The ruling does apply only to Planned Parenthood clinics and doctors, and is only one of three lawsuits brought against the Bush-supported legislation signed into law in 2003. New York and Nebraska federal judges have not yet ruled, but their outcomes might be divined by the fact that all three judges – Hamilton included – initially blocked the act from being enforced, though to be truthful, geography will almost certainly play a role in the decisions. Regardless, any decision is likely to be appealed to the Supreme Court.

Thursday, January 15, 2004

Harvey Johnson Interview (Mayor of Jackson, Mississippi)

I seemed to happier with this piece than most of our readers. I think this was because it was originally planned as one thing, but became another. There really is no one to blame for that; it just happened. I'd been doing a series of interviews on Jackson's Urban Redevelopment. I thought a nifty third part would be talking to the only mayor in history who'd taken an active role in trying to clean up the city. That was the plan. However, we also decided to use the interview to go along with the first issue of a new graphical look, and it was the beginnings of election season. As such, the series was faded into the background and it looked like more of a stand-alone interview. Because of that, I was accused of tossing softball questions at the mayor, which I can't deny. Worse yet, I was a Harvey Johnson supporter, which I won't deny. I wish the interview had come out more like I had originally planned, but I've always been personally pleased with it.

Jackson Mayor Harvey Johnson has, in two terms, become one of the most visible mayors in the history of the city. He has elected to take an active role in public education and economic development of the city, pushing to make Jackson the Best of the New South – a city of excellence. Born in Vicksburg, Johnson received his first degree in political science from Tennessee State University and followed that up with a Masters’ Degree in political science from the University of Cincinnati. He has studied toward a doctorate in public administration at University of Southern California’s Washington Public Affairs Center in Washington, DC.
Johnson spent 25 years in the field of planning and community development, served as an assistant professor of political science at Jackson State University, and was a member of the Mississippi State Tax Commission and the Mississippi Gaming Commission. He also served his country as a Captain in the United States Air Force.

Thursday, January 1, 2004

Brian Fuente, Musician (Music Feature)

Brian Fuente is one of Jackson's most talented young musicians. I knew nothing about him before going to listen to him for a writing assignment. I liked him, then became a fan. I wish someone in the business would give him a fair shake. He's really, really good.

Brian Fuente is a happy man. On Friday, January 9th, Hal and Mal’s is hosting his CD release party. Fuente has released his first solo CD independently. The disc, entitled Sky Down Here, is a collection of pop songs that shows off his strong singer/songwriter chops. Backed by Don Morrison on guitar, Joe Partridge on drums, Gabriel Golden on bass, and with an appearance by Rufus Mapp on percussion, Fuente officially puts in a bid to join the recent musical scene dominated by John Mayer, Jason Mraz, and others of the same style.

Sky Down Here is a strong opening bid, with a few songs – “Temporary Sugar,” “Everyday,” “Against Me” – that would not be out of place on any mainstream pop radio station, and with several of a more melancholy, introspective nature – the kinds of songs appreciated both by critics and by fellow musicians. It was recorded at Terminal Recording Studio in Ridgeland and produced by both Fuente and by well-known producer Randy Everett.

Sky Down Here has already been released to the college radio stations in Mississippi. Clinton Kirby, the program manager at WUSM 88.5 in Hattiesburg, says that Fuente is receiving regular airplay on the station and requests for his music come in fairly frequently. He believes Fuente has a future in the business.

"The Politics of Death" (Column)

There are no punchlines with this one.

Death is one of only two things that all persons are guaranteed to experience once in their life, along with birth. Sex isn’t a given, love isn’t a given; pride, hope, joy, happiness, sadness, faith or friendship offer no guarantees that one will ever experience them. Only birth and death are promises always met.

Birth is the overture of life, full of the promise of what has yet come. But death, which comes at the very end, signifies the finality of years or decades of living, turning a once-vital person into memories shared by those around her. Death is the final note of life’s symphony and is, by nature, the more dramatic of the two. And as the most dramatic guarantee life has to offer, it has become arguably the most contentious subject in politics; capital punishment, assisted suicide, abortion, and euthanasia are discussed at every political level and numerous other subjects – stem cell research, disease, drunk-driving laws, and drug addiction all have the idea of death as part of the vast discussions that accompany them.

On very few of those issues do conservatives and liberals agree. Certainly no one in their right mind thinks that drunk driving is a good idea and most everyone supports the government and private industry’s work to eradicate diseases as best they can. But the hot-button issues continue to divide the country and sadly, both sides seem to be rooted in inconsistent thinking.

Monday, December 1, 2003

Jay Fleming, Artist (Arts Feature)

All I need to say about Jay Fleming is that he has an abundance of talent and a geniunely whimsical way of looking at the world that you want to share. I have a few of his signed prints that I'm proud to own.

Jay Fleming is one of Jackson’s more unique artists. During the last several years, he has begun to cultivate a strong following among collectors who enjoy retro scenes of the 1950s and 1960s and his work tends to sell out quickly in the galleries and shops that carry his work.

“I really focus on that early era of technology; on the optimism, energy, and exuberance of the times,” he said. At first glace, Fleming’s work – pastel-hued, clever, and bright – is the definition of retro. Bathing beauties in swim caps dive into kidney-shaped pools. A three-wheeled car waits in front of salmon-colored shops for a female passenger. Huge motel signs jut into pastel-blue skies.

“All my paintings depict scenes from the 1950s and early 1960s,” Fleming said. “It was a time when man didn’t seem to have any limits, due to breakthroughs in science, medicine, and unlimited new products; there was so much energy, excitement, and optimism about the future and that was reflected in the architecture and design of the products of the era. There were products that seem a little wacky today, like the three-wheeled Messerschmitt cars.”